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A simple guide to the rules and terms that govern the design of type.

Typography design is seen in nearly every setting. When reading the list of ingredients on the back of a crackers packaging, do you ever notice the line spacing? They could be, such as, the amount of digits in a price tag, or how thick or thin the lettering are on street name signs. These are not always your daily go-to sources of inspiration, but they are a fact of life.
Actually, letters surround us continually. No matter where you go, every source offers distinct perspectives and ideas, and highlights the unlimited uses of typography.
Before we go any further, it’s important to look at what typography is, where it originated from, and what it is for.

A quick introduction to typography

The art of lettering designs. More simply, design is the skill of organizing text in an attractive, readable way. It is a critical design component. Instead of drawing their own letterforms, designers need to work with typefaces currently on the market. This design process consists of numerous considerations, like picking the correct typeface, picking the point size, spacing, and modifying kerning and line height.

This may be accomplished in a short amount of time. Thanks to technology, new generations of designers are challenging the norms of typography every day with their visions of letters that were previously unimaginable.

In the beginning, it was never only about technology. Typography was transformed in the early 15th century thanks to Johannes Gutenberg, who invented movable type. It is interesting to note that even before the advent of printing methods, individuals were motivated to write books or type-based posters. They achieved it the old-fashioned way, using patience and hard work. People have always made use of written messages, whether due to a lack of paper or because of inappropriate writing tools. They engraved glyphs into stone or wood that dated back to the ancients.

There’s a constant war between the hand-crafted and the machine-made, between the organic and the geometric. To a new and uncommon level, today’s typographic research is fuelled by significantly dividing the two worlds, as well as seamlessly blending them.

20 Graphic Design questionnaire questions to ask clients

Hi! This Article i’m talking about 20 Graphic Design questionnaire questions to ask clients . Every so often, clients turn up their noses and tell you that your graphic design work isn’t what they wanted.

What if the client had been more specific from the start?

Don’t give up!

This is most likely because you didn’t properly interview the client prior to starting the project, or you didn’t ask the right questions. Getting specific client feedback on project expectations increases your chances of success.

To help you create your graphic design questionnaire, we’ve included 30 questions and some suggestions.

For logo design projects, you can use this questionnaire.

Why make a graphic design quiz?

You should use a questionnaire in your design process for three reasons.


The back and forth between you and the client over revisions saves time when you clarify project expectations.

Preventing project failure

It is important to ask the right questions to ensure project success. So easy! Be successful by doing this.

Pose as a

Doing your homework on your client’s industry makes you appear more professional. Then you’ll get more referrals for your awesomeness.

  1. What questions can you ask now?
  2. Graphic design questionnaire questions
  3. client’s business and target market questions
  4. For quality graphic design work, you must first understand your client’s business and industry. Here are some questions to ask about the business.
  5. One or two sentences describing your company’s work What do you sell or do? What are its core values?
  6. What is your organization’s mission? How do you see it? What does your brand say?
  7. What distinguishes your firm? What’s your main draw?
  8. Who are your main rivals?
  9. Who do you want to reach? (Age, gender, location, lifestyle, income, etc. are listed.)
  10. Brand-related inquiries
  11. It is the personality of your client that should be reflected in all marketing efforts. To best represent a brand, ask these questions.
  12. Define your brand in a few words.
  13. So, how do your clients see you now?
  14. Your target market’s perception of your company What do you want them to think or feel when they interact with your brand?
  15. Like your current branding?
  16. What don’t you like about your current logo?
  17. Do you have a favorite brand you’d like to compare yourself to?
  18. Preferences in design
  19. Questions like these are critical. This should be the longest section. Inquire about your client’s preferences in visual terms.
  20. Is there anything you can share to help ensure brand consistency? (fonts, logos, color schemes, etc.)
  21. Does your color palette include existing brand colors? Do you have a favorite colour?
  22. What elements of graphic design are essential?
  23. Do you want to incorporate any new ideas into this project?
  24. Share your favorite fonts with us!
  25. What do you think of your competitor’s logo? If possible, please provide an example URL and explain your preferences.
  26. For inspiration/creative direction, please provide links or samples.




Each year, the world becomes more complex. This poses both obstacles and opportunities for the aspiring entrepreneur. On the one hand, new markets are always emerging. Only two decades ago, no one understood what a SaaS was. Additionally, very few respondents felt secure shopping online. Yet today, individuals happily hand over their credit card information in exchange for a free trial of an essentially immaterial commodity.
People also spend big money on pricey, and occasionally watered-down, coffee. Entrepreneurs are profiting from the sale of Android and Apple applications they developed in a matter of hours. At times, it appears as though all that is required to earn money these days is a good concept.

Until the funding does not materialize. Or until you realize that the infrastructure necessary to execute your wonderful concept does not yet exist.

That is the point at which passive revenue streams become critical.

We’ll explore eight passive income streams in this Passive Income Strategies guide that you can start using immediately to assist you get through bad times. As an added bonus, we give three passive investment strategies that you can use to make your spare money work for you.

At the end of the day, it’s all about juggling multiple tasks. Thus, if you swing and miss on a product concept — which will happen occasionally — you will have sufficient revenue to pay your losses. However, there are a few things to understand about passive income streams:

• They do not provide instant income. Passive income strategies and streams gain traction gradually. Do not rely on a select few. Utilize as many as possible.

• They aren’t completely passive. No source of income is entirely passive. To accomplish almost anything, you’ll need to expend some energy. Even someone who uses a Robo investor must monitor it to ensure it is not making irrational trades. This takes time and effort. Even the most skilled advertiser must monitor their campaign’s profitability on a regular basis.

• Not everyone is capable of utilizing each strategy. Certain passive income strategies demand specific knowledge that you may lack.

Even with those caveats, passive revenue sources are a vital component of the entrepreneur’s toolkit. Additionally, you will rapidly see that both strategies can coexist. You’re doing it correctly if you have two or more passive revenue streams focused on the same subject or niche. This results in synergy, as each strategy can bolster the effectiveness of the others. This can catapult your passive income into overdrive.

Excited? Let we begin.


Stock photography is a time-honored practice, yet it remains relevant in 2021. If that is the case, you possess photographic ability. However, competition is fierce. However, if you are capable of taking a good photograph or have access to unique topics, settings, or things, you may like to give it a try.
In general, stock photography is classified into two types:

• This is a subcategory of stock photography that is sold through established stock photography websites. Macrostock pictures are frequently exclusive because they depict a person, place, or thing that is not readily available. As a result, these photographs are rather pricey. Macrostock agencies directly sell single-use licenses to clients. Macrostock images cost between $20 and $5,000. Getty Images is an excellent illustration of a macrostock agency.

• Microstock photography. A microstock site sells royalty-free pictures provided by users. Multiple consumers can purchase the same image from the site. As a result, these photos are typically relatively affordable, with a typical microstock license costing under $1. The photographer does not receive ongoing royalties and is compensated monthly for all purchases.

Summary: If you have an image of excellent quality or an exclusive subject, you could earn a lot of money selling a single license. This is macrostock. For everything else, a microstock site is your best bet.

Of course, microstock photography is the only type of stock photography that offers really passive revenue. According to Alexandre Rotenberg, a professional photographer, you’ll need over 6,000 photographs to earn a passive $500 each month. We calculate that it would take a photographer five years to amass a portfolio of 6,000 photographs using simple math.

That is a significant time commitment. Thus, this entry may be an excellent alternative for someone who is already required to shoot a large number of unique photographs—for example, for their blog. In this situation, making a few simple tweaks in Adobe Lightroom and then offering them for sale may not be such a bad idea.


A book classified as ‘no content’ or ‘light content’ might be an excellent source of passive income. Several examples include the following:

• Adult coloring books This is an example of a book with a light content. You make an initial investment by developing or commissioning line art. Then you earn from sales indefinitely.

• Maintain a journal. This is an example of a book with no content. You’ll need to add some aesthetic flourishes to set your diary unique from the competition, but it’s content-free otherwise.

A notable example of this notion being elevated to new heights is a publication devoted to CBT, or Cognitive Behavioral Therapy. A CBT diary assists participants in identifying mental distortions that may impair their capacity to live fully in the present moment. A CBT journal may include a section at the beginning listing the most prevalent thinking distortions. The remainder of the book is a diary approach that assists the reader in exploring cognitive distortions they may be experiencing on a daily basis.

A no-content book is distinguished from a standard Amazon KDP book by the fact that you are giving a resource, not a story. By and large, no content books are sold in paperback format.

Take note that some things have a poor profit margin, and you will almost probably need to promote them via advertising. However, Amazon’s advertising network is an excellent alternative for first-time authors and publishers. It’s a straightforward system. You’ll feel right at home if you’ve ever used Google Ads. Additionally, because Amazon is a closed ecosystem, you will not be relying on ads indefinitely—that is, assuming you generate sales.

As you can see, Amazon is unconcerned with whether you spend money on advertising or generate revenue through sales. Amazon is compensated in any case. Therefore, if your ads result in your book achieving a high sales rank on Amazon, Amazon will begin pushing your book on its own. This eliminates the need for advertisements and converts this into pure passive income.

However, you may occasionally be forced to use advertisements. It simply depends on the direction in which the Amazon algorithm winds are blowing.


What are your areas of expertise? 🙂
Do you know how to properly and affordably make homemade yogurt? That is a marketable product. yes! Graphic Design School.
Are you familiar with homeschooling? There is also a market for that.
Are you an author? Are you a painter? Are you a carpenter? Indeed, individuals will pay you to teach them how to do such things as well. Creating online courses is a tried-and-true method of passive revenue generation. There isn’t much else to say about it except – just do it!


• A good microphone

• A nice looking room in which to record oneself

• A high-quality camera

Once these initial expenses are met, though, you’re off to the races. A smart place to start is by gathering some notebook paper and brainstorming all the possible courses. Then, host your course on a reputable platform such as Udemy. Of course, Udemy takes a cut, but they also manage the site’s backend maintenance.

If you are familiar with digital advertising, you are already miles ahead of your competitors who are unfamiliar. You can promote your courses using a variety of ad networks, including Google, Bing, and YouTube.
Speaking of YouTube, one of the most effective strategies for selling an online course is to capitalize on user discontent. Frequently on YouTube, you might encounter films advertised as ‘tutorials’ on a particular subject. However, these videos serve as marketing funnels, funneling viewers to the video’s conclusion, where they will be pitched a course.

You may leverage this to your advantage by producing a free course on the subject and generating your own video. Then simply upload your movie and tag it with the appropriate keywords. Inform viewers that they can obtain your course for free by including a link to it in the video’s description. Then sit back and watch as students flock to your free course. This is referred to as a loss leader. Your free course introduces people to your brand, which can — and frequently does — result in future sales increases. This approach can be combined with the others on this list.


Creating a YouTube channel is quite similar to creating a specialty website. This is unsurprising, given the complementary nature of the two passive income streams. To be successful on YouTube, you must be the following:

• Concentrated. You’ll require a niche. Whether it’s drama, fitness, dating advice, or whatever else comes to mind. The most successful YouTube channels are those that are entirely devoted to a particular subject.
• Superiority. You must develop high-quality written material for a niche website. Obviously, the purpose of a YouTube channel is to provide high-quality video content. If you are competent of both, integrating the two tactics can be really beneficial.

• Captivating. It’s critical to engage your audience on YouTube. You must ‘like’ and regulate comments, as well as reply to criticism professionally. When YouTube ranks channels in search, it considers the overall degree of engagement on the channel. Thus, encouraging remarks are a wonderful idea. However, you should silence obvious problematic actors such as trolls.

• Enthusiastic. It’s acceptable to solicit ‘likes’ and substitutes, but avoid being annoying about it. Many users would thumb down a video merely because the YouTuber is excessively persistent in requesting subs or thumbs up. In terms of charisma, bear in mind that when you appear on camera in a video, you are acting as a presenter or host. Take it seriously, but bear in mind your on-screen persona. If you want to be a comedy channel, then be one. Simply avoid being obnoxious.

Final one is i know that. ok next article i will giving best part. thanks!

The top 10 questions to ask your logo client

The top ten questions to ask your logo client

The most critical step in the logo design process is gathering input from the client. it is one of the most difficult. Indeed, it is frequently more difficult than conceptualization itself.

We’ve created hundreds of logos over the years and may have worked with a variety of clients. Typically, we work with clients who take branding seriously and would have considered how their logo should look prior to contacting a company like ours. However, we occasionally encounter clients who view the logo design process as a black box, and there are several logo design myths to debunk.

Typically, these clients have no input into the designer’s style or substance. They hope that by providing the company name and the nature of the business, the logo designer will be able to create an eye-catching, impactful, cutting-edge, modern, and memorable logo (in short a great logo design).

As a result, it is critical for you as a logo designer to solicit as much input from the client as possible. I’ve compiled a list of the top ten questions to ask a client. Additionally, you should explain how you work and the process so that the client’s expectations are clear. Kindly leave a comment below if you have any additional questions that you believe should not be overlooked.


This is a more standard question that all designers should be aware of, but I included it for completeness’ sake.


It is critical that you establish precisely what the client wishes to see in the logo. You’ll need to explain to the client that wording changes may have an effect on the concepts, and thus the client must agree on the exact words in the logo before any design work begins.


Additionally, it is critical to ascertain whether the client desires a slogan or tag line in the logo, as well as the degree of integration desired. Certain clients prefer to see the tag line as a distinct entity that is placed beneath the actual logo design. Others may prefer to incorporate the tag into the design itself.


This is critical information that will assist the logo designer in determining who will most likely see the logo. This then assists the designer in attempting to imagine the type of message that might be appropriate for that target audience.

For instance, if you have two businesses called “Black Hawks Construction,” one catering to the residential market and the other to the commercial market, your two logos must be quite different in terms of color scheme, font selection, iconography, and layout. A corporate-looking logo with an iconic representation of a hawk may be appropriate for the commercial market, whereas a more approachable version with an icon representing a house or a tree, or even line art of a construction worker or structure, may be more appropriate for the domestic market.


It is beneficial to ascertain who the client believes to be their direct competitors. Naturally, a logo designer would also need to conduct their own research by examining as many corporate identities as possible in the same market in order to determine current trends.


This is the difficult part. Many clients may not have considered their logo at all and thus would be unable to communicate their requirements to the designer. They frequently shrug their shoulders and declare, “I am not a designer!

Acceptable. However, we frequently observe that after presenting a few concepts to the same client, they return claiming to have expected something else. It is preferable to ascertain what that “something else” is in advance. You should explain to the client that it would be extremely beneficial to understand the client’s preferred look and feel or logo style. Alternatively, they could inform the designer of the type of image or icon they believe would look good. This brings us to the following point.


Following up on the previous point, it would be extremely beneficial to learn which logos your client prefers. This could be from your portfolio or from the public domain. Invite the client to spend some time browsing the web and submitting a list of logos they like. This assists the designer in determining the client’s preferred style.

There are numerous logo styles available. There are simple iconic logos, illustrative logos, text-based logos, line art logos, three-dimensional logos, and web 2.0 logos.


Knowing what the client dislikes enables you to avoid working on styles that will ultimately be rejected by the client. However, the logo designer must exercise judgment and not be afraid to present a concept that incorporates an icon or image that the client has stated they dislike. Perhaps with the proper treatment, the designer can demonstrate a new angle or perspective to the client and assist them in comprehending how that particular image or icon can actually benefit the brand.


Additionally, it is critical that the client has some idea of the colors they wish to see in the logo concepts. While the client may not understand the significance of the various colors in terms of how people or consumers may react or behave toward them, it would be beneficial if they indicated a preference for a few colors.


Additionally, it is critical to ascertain where the client will most likely use their logo. The medium of communication aids in making decisions about gradient usage, layout definition, and more.

Becoming a Designer in 2022 a Good Idea?

Welcome to Graphic Temple How To, where I’ll discuss whether or not becoming a designer in 2019 is a good idea.

And I think the answer is yes!

The internet has created more jobs for graphic designers than ever before, and graphic design has never been more diverse.

So we have marketing designers, web designers, graphic designers, production artists, 3D designers, videographers, photographers, and so on. And having those skills makes you more marketable. They were worried that I would never be able to make a living as a designer, and I will admit that I struggled for a long time. But the internet has opened up so many new opportunities for designers.

There are numerous ways to generate passive income online.
The same goes for Shutterstock, where we can sell photos and vectors. A designer can earn money online in a variety of ways. Also, freelance sites.

You can even upload videos.

A graphic design education is required to become a designer. And the best way to do that is to attend a four-year university.

a fantastic graphic design program If you can’t, there are tons of courses and information available.

online, so you can truly learn alone. And for graphic design, you don’t need a four-year degree as long as your portfolio is amazing. Here’s the rub.

When I look at portfolios for jobs where we’re hiring and getting lots of resumes and portfolios in, there aren’t many great portfolios from people without degrees. It’s difficult to get a good portfolio without a degree because

In a four-year college, you get a lot of help from professors and hands-on training from people who can help you. One of the major issues with online education is this.

It’s going to be difficult to get that portfolio in prime hiring condition unless someone is skyping or Facetiming you.

If you’re doing it alone, you’ll need to put in extra effort on the portfolio side. Working from home is another reason to become a graphic designer now. So they give you a computer, you work from home, and you communicate via email, phone, or whatever.

And that’s a big plus for many. You can also do side projects like freelancing or passive income pursuits, which all add up. The demand for Graphic Design is high despite the competition. Almost every business requires graphic design in some form.

Then they’ll look for a graphic designer to create their website or logo.

Is it difficult to get hired as a designer? Yes, it is highly competitive. And for every job, there are probably 30 to 200 applications.

Graphic Design jobs.

It’s because it’s a fun job. 🙂

Is becoming a great graphic designer easy? No, you have to put in a lot of time and effort to keep improving and keeping up with the competition.

Why bother? Yes, I think so. So go forth and design. That’s it for this week.

Please like this Article if you enjoy it. See you next week for more graphic design.


5 Graphic Designer Mistakes to Avoid

Friends, Hello everyone, this is Praneeth from graphic design how-to and today I’m going to talk about 5 mistakes or bad habits that graphic designers should avoid. I’ve seen other graphic designers make these mistakes but I’ve also made them myself at some point in my career. As a full-time employee, the people who work there, especially the upper management, want to know that you’re 100 percent committed to their company’s goals and that you’re 100% committed to your freelance clients.

If they ask if you have freelance clients, it’s totally fine to say yes, I have a few clients, but don’t lie about it or anything. And of course, don’t work on freelance projects while at work, this includes your l.

Account managers are the middleman between you and the client so they understand difficult clients so sometimes you might want to vent to them but if you complain to your account manager in an email they might e

Third, file naming and organization one of our biggest challenges as graphic designers is coming up with a good way to name files and organize them on a server and actually a couple weeks ago I made a video about this very subject a go

If your files are always a mess and no one can find them on the server, that reflects poorly on you and that’s not good. 4) Not reading the entire creative brief This is probably going to be somebody like an Account Manager who talked to the client every day so they know who the clients target audiences and a lot of other things a creative brief is sort of like a map that defi

You might be tempted to just skip past all that information if you’ve worked with that client before, but here’s the problem if you do your whole project without really paying attention to the creative brief.

When I started college, web skills weren’t required, we had classes for them but it wasn’t a requirement that was for web designers, and video skills weren’t even a thing yet, we had film classes and stuff like that but YouTube wasn’t part of it.

If you’re looking for a new job, this one is an extra because it’s something everyone knows but not everyone does, and it’s double-checking your work. Everyone makes mistakes and of course it’s going to happen a few times here and there, but you’ll be glad you did it.

queue-goer This is something I try to do with every project I get, and if I do make a mistake, I apologize to the next person, because it takes time out of their day, and having to send it back to a graphic designer is annoying, and it costs the company money.


What are vector and raster images?

What are vector and raster images?

Vector and raster images differ in resolution, detail, and application. Whether you’re a new designer, a seasoned pro, or a marketer looking to hire a designer, you need to know the subtle differences between them. Depending on the project, both raster and vector images have benefits and drawbacks.

The answer is in your work. We’ll compare raster and vector images and help you decide which is best for your project.

What is a raster image?

A raster image is a digital graphic made up of pixels on a grid. Pixels are squares of solid color made of red, green, and blue light (also known as subpixels).

Consider a raster as a mosaic: up close, it appears as a grid of squares, but from afar, an image emerges. The pixel grid is invisible, but designers add to it when using raster programs like Photoshop. Each brush stroke adds pixels along the brush path, depending on the size of the Photoshop document and the brush’s radius. The lens converts reflected light into tiny colored pixels that combine to form a realistic digital image.

Raster images are resolution dependent because each pixel occupies a grid space. Raster images cannot be resized without distortion because the pixel count is fixed. The more pixels, the better the image quality (or resolution), as color blending occurs more easily when viewed from a distance. Because there aren’t enough pixels to provide seamless shading, images will appear tiny or “pixelate” when resized.

Due to the amount of color information they can hold, raster images are ideal for showing subtle color gradients and shading in photo editing or photorealistic illustrations.

You can zoom in and edit each pixel individually.

Many advanced texture effects require raster images.

When to use raster

Photography, video, and web media all use raster. Raster is ideal for photorealism and large-scale images in illustration due to the amount of detail possible. Raster, on the other hand, cannot be used for logos and requires a high resolution for printing.

Here is a list of projects that would benefit from raster images:

  • Illustration/painting digital
  • Photographic or collaged imagery
  • Postcards
  • Web design Apps
  • Icons in photos
  • Adverts
  • Instagram photos
  • Any other electronic design
  • Image software and file formats
  • raster files

GIF PNG TIFF RAW PSD Raster software
Photoshop AE
Corel Paint-Photo GIMP

A vector image is a

A vector image is a mathematically calculated path that can be scaled indefinitely. Geometric shapes that can be stretched or curved as needed, vectors.

Vectors consist of points, polylines, and polygons. However, designers can edit points within the software to change the artwork’s shape. Designers can color, stroke weight, and profile polylines or paths that connect the points. Path closure creates polygons (i.e., all points are connected by a path). They can have a fill color. To create a convincing graphic, a vector image usually contains all of these elements.

While vectors use math, you can leave your advanced calculus degree at the door. Designers can create vector graphics quickly and easily in programs like Adobe Illustrator. Backend calculations are done by a computer.

Because vector images lack pixels, they can be scaled up or down without compromising image quality. This is done automatically by the computer whenever a variable is changed.

When to use vectors

Because vector graphics are resolution independent, they are ideal for print design. With their infinite scalability and simplified shapes, they’re ideal for designs like logos that need to be flexible and editable.

As a result of their simplicity, vectors can be used in (even though the final animation might end up raster). Vectors can be used for illustration and have high geometric precision despite their stylistic limitations. Vectors can be easily converted to raster, so if the situation (and client) allows it, use vector graphics.

How to Earn Money as a Graphic Designer

Graphic Temple here from Graphic Design How To, and today I’ll show you how to Make money with your graphic design skills. And I’ll show you how.

a variety of sites I use to generate passive income. Let’s get started.I began trying to earn passive income in January 2018.

Shutterstock And I made $1.81 in my first month there. 🙂 That may not seem like a.

but it was thrilling to me. Now I have 25 sites where I display my artwork. and make some passive income. Some are still infants. I haven’t been

sites for a long time and not making much. Some do quite well. And I got I quit my job in March 2020 to focus on passive income and freelancing.

I have three main goals for passive income.

01.Stock photos

Still, I submit

images to 11 stock image agencies. And here is my list of companies: Adobe Stock, iStock Photo, Alamy, Bigstock, Canstock, Dreamstime, Picsa, Depositphotos, Pond5. And I submit new designs weekly.I haven’t missed a week since I got serious about February or March of 2016.

That was a year after I began. If you want to make stock images, start with one of these sites. Then, when you’re ready, add another. It’s just too much otherwise.

I’m going to go to the Shutterstock website so you can get an idea. what images are popular. Shutterstock accepts a variety of files. accepts. So they accept vectors and photos. So, you want to make some vectors. I’ll use vectors here. And then a keyword like’restaurant’ will do. Here are the top restaurant vectors.

So these are the graphics you’ll need to create.

02. Shutterstock

if you choose Shutterstock.
You have scenes, icons, You can do a lot with little logos. 2nd Focus: Crafting and demand print. And I upload my designs to Etsy, Design Bundles,

And now Zazzle. And I list

the same stuff on all of them. And I add new listings to each site daily. And the images I use on craft and print-on-demand sites aren’t the same ones I use put on stock sites like Shutterstock, which have a different audience. So images must be distinct. But there is a point where I can put them on both.

Visit to see what’s hot for crafters. Then

You can just scroll down to see what’s hot right now. Since we’re

Christmas is very popular right now. And templates abound.

that can help other crafters with their projects. Now let’s visit Redbubble.

to see what’s hot. We’ll just shop T-shirts, and they’re currently featuring

So I’ll click on music T-shirts.
And they’re more artistic than the

make graphics Honestly, my craft graphics don’t do well on Redbubble.But I don’t have time to create graphics for this site. To begin,Start with Etsy if you’re making crafts or T-shirt graphics, but pay a fee for each listing. It’s currently 20 cents. After that, Start here, then move on to other sites. Starting on Etsy? I’ve got a few more videos to help. Those are in the description. Then should be

atop your screen right now.
Lastly, I focus on

videos Hence my YouTube, Skillshare and Udemy. I was adding a My goal for 2021 is to grow my channel by a lot. Let’s go to Skillshare and see what courses they have. Now, I don’t always add full courses here, but I hope to focus on this. Next year, Udemy. It’s nice to teach because everyone knows something.

So it may not be a graphic design issue.
Just consider: “What do I know now? than my pals? “then move on. You could make a course out of it. Skillshare

is based on creativity, but on Udemy, you can teach anything.

I also do a lot of smaller passive income activities. I work with Design Bundles. Flying Upload. I only became an affiliate after I was really Trusted them as a company, because you don’t feel comfortable with them.

not recommend a company unless you are 100% certain it is a great one. Otherwise, You’ll lose your audience’s trust. You may be thinking, “That’s a earn passive income.” It’s a lot of work, but I’m hoping one day semi-retire and the money will keep coming in. It’s my aim. And I swear,It’s great to work for yourself rather than a boss or client.

If you want to start one of these passive income streams, just leave a comment. I always try to respond and welcome your questions. Okay


What basically is a logo?

What basically is a logo?

Logos are simple text and visual symbols that help us recognize brands we like. But they can do more! A good logo is your brand’s foundation. It explains what you do, who you are, and what you value. Quite a burden for a small image! Here’s what a logo is and how to use it effectively.

A logo is a text and visual emblem that identifies a company.

Logo design is all about building a company’s visual brand mark. A logo usually consists of a symbol or brandmark, a logotype, and a phrase.

A logo’s purpose

— Logos do more than just look good, right? Yes! Logos have numerous uses.

A logo sets you apart from the crowd.
A logo’s most basic function is to distinguish your company from competitors.

This is crucial if your firm faces competition (which 99.9 percent of them do). Before getting a logo for your company, examine your competition to see how you can position yourself.

See how the Cactus Dental logo differentiates itself from the sea of cliche teeth logos in the dental sector by turning a geographical feature into a toothbrush.

Of course, you don’t want to be so unique that people miss your brand.

A logo identifies your company’s important features.

A good logo may communicate the industry you are in, the service you provide, your target audience, and your brand values.

For example, a software company’s logo can include circuit images. They may also choose a specific hue to convey their environmental commitment. Or they may employ a fancy font to emphasize their luxury. See how Wild Hearts uses a heart-shaped book to demonstrate that they specialize in romantic literature.

Reputation is built by a

Logos can serve as visible reminders to your customers that you exist!

Logos, in other words, can evoke strong visual associations. This link helps customers remember your brand.

Consider Nike or McDonalds, whose emblems are instantly recognizable even without their names. It’s no wonder that logos are so important in branding.

What makes up a logo?

Knowing what a logo performs, let’s examine its components. What are they? Not quite!

In the meanwhile, we can break down some popular logo design features. These elements combine to generate 7 logo types.


A logo’s form usually includes a typographic element. It might be a monogram-style single letter, an abbreviation, or the whole business name.


Symbols or icons may accompany typography. These might be symbolic or made up of geometric parts.

Some logos feature decorative elements like dotted lines or little stars that don’t always produce a distinct image.

The Ever South Brewing logo features typography and an illustrated geometric sunset with a grain stalk growing upward.


Color follows form. Logos might be in color or black and white. Color palettes in multicolored logos are typically related, or similar, or complementary, or distant or opposing.

Thus, it is critical to consider when and when logos can be used.

Logos are often seen online, on business cards, in stores, and in print. BUT YOUR COMPANY MAY HAVE SPECIFIC

The circular shape on the left is ideal for drink coasters!

Synergy uses a complementary color palette. See also our article on logo colors.

Context In some cases, a logo’s context defines it.

Expert logo editing

A logo takes time, effort, research, and iteration. Most brand owners will need to update a logo. A logo modification is required even after your designer has designed a gorgeous design.

For example, you may need to change the phrase or develop more color versions. Because your brand is living, its needs will always vary.

The good news is that many improvements can be made without any prior design software experience. We’ll go over some questions to ask yourself before starting, common modifications, and strategies.

Prior to modifying a logo, consider its purpose.
If you’re not a designer, think twice about changing a logo. If you are unhappy with the result, a symbolic re-paint is unlikely to help. Your challenges and goals will determine if you can make the edits yourself or need to hire a designer.

First, read our logo quality guide. If you’re modifying a logo, ensure sure the concerns are purely cosmetic. For example, if your typeface is old, simply replace it. A warmer color option may help a bland logo.

After editing your logo, return to this stage to verify that your edits worked. A/B testing is a great way to find out which logo version your target audience prefers.

Decide on your logo edit’s level.
Now you should know what needs to change. How long and detailed is that list?

For this post, we’ll focus on minor adjustments like size and color. A major change would be a complete redesign of your logo with all new graphics. In this case, a logo designer is needed.

Create a customizable logo.
Save logos as AI or EPS. Logo design software like Adobe Illustrator may access these files (though most other vector programs work similarly).

A vector file, unlike a raster file, can be resized indefinitely, and each shape is automatically separated into layers. The only way to edit them is to erase or paint over them.

Then what if you lack the vector file?

Your logo must be vectorized if it is merely a raster image. Consider hiring a designer to vectorize your logo before making any other changes.

Image Trace converts pictures to vectors in Illustrator (this process of converting a raster image to vector is described here). The image and desired impact determine if “Image Trace” works for you. The easiest way to get a nice vector file is to trace it manually.

Save your logo.

Finally, if you want to change your logo design, make a copy and save the original file. While evident, it is often neglected.

You’ll need a backup in case your first (or second or third) attempt at changing your logo fails.

Resize and position a logo —

Changing your logo’s size, placement, or scale is one of the simplest DIY projects. Using Illustrator’s Selection Tool, you may choose and reposition your logo. If the logo is not clustered, pick it (you can only select one shape at a time). To remove a shape, press the delete key.

Toggle the logo by degrees. Double-clicking the Rotate Tool (and most of the toolbar) allows for more precise increments (if, for example, you want to rotate your logo by a specific number of degrees).

How to Edit a logo like a pro

This Article explain Creating a logo takes a lot of work, effort, research, and iteration. Most brand owners will have to edit a logo at some point. Even after your designer has created a stunning design, you will need to know how to change a logo.

For example, you may need to add a new slogan or create more other color variants for various reasons. Because your brand is alive, the situations in which it must adapt will always change.

The good news is that there are many of modifications that anyone can make independent of design software knowledge. To modify a logo, we’ll go over some questions to ask yourself before starting, the most typical edits, and the methods involved.

Before editing a logo, decide why you need to modify it.
If you are not a designer, you should carefully consider editing a logo. If, for example, you are dissatisfied with the outcome, a symbolic re-paint is unlikely to help. Having specific difficulties and aims for your edit will determine whether you can make the adjustments yourself or need to hire a designer.

First, read our guide on evaluating logo quality. Having examined the extent of alterations, if you’re editing a logo, make sure the issues are aesthetic. For example, if your typeface is outdated, you may merely need to change it. If your logo lacks personality, a warmer color choice may help.

After modifying your logo, you can go back to this stage to make sure your edit fixed the issue. A/B testing is a wonderful method for determining which version of your logo your target audience prefers.

Determine your logo edit’s complexity.

You should now have some thoughts on what needs to change. So, how extensive and complex is that list?

For the purposes of this post, we’ll focus on simple edits like changing the size or color. A large modification would be a complete redesign of your logo, including all new graphical features. In this instance, a logo designer should be hired.

Assemble an editable logo file.

Logos should be saved as AI or EPS files. These files are accessible through logo design software like Adobe Illustrator (though most other vector programs work similarly).

As opposed to raster files, vector files can be scaled infinitely, and each shape is automatically divided into a layer using the Layers panel. Raster images, on the other hand, are made up of pixels—tiny colored squares. Like an illustration, the only method to edit them is to erase or paint over them.

What if you don’t have the logo’s vector file?
If you only have a raster image of your logo, you must vectorize it to alter it. If you don’t know how to use graphic design software, consider hiring a designer to vectorize your logo before making any additional adjustments.

Illustrator has a “Image Trace” function that converts images to vectors (this process of converting a raster image to vector is described here). Whether or not “Image Trace” works for you relies on the image and the desired effect. The best technique to get a good vector file is to trace it manually inside a vector software.

Save your original logo.

Finally, if you’re ready to alter your logo design, make sure to duplicate and save your original logo file. While this may seem obvious, it is easily overlooked.

Not only will you need a backup in case your first (or second or third) effort at a logo change does not go as planned.

How to resize and place a logo —

Changing your logo’s size, location, or scale is one of the easiest modifications you can do yourself. The Selection Tool in Illustrator’s toolbar allows you to choose and move your logo as needed. You can select the full logo if it is not grouped (you can only select one shape at a time). When a shape is selected, press the delete key to remove it.

The Rotate Tool rotates the logo by degrees. With the Rotate Tool (and most tools in the toolbar), you may enter more exact increments by double clicking (if, for example, you want to rotate your logo by a specific number of degrees).